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SXSW 05
Elvis Costello, Ian Hunter, Robert Plant, Brian Wilson, John Cale, Nanci Griffith,
the Blind Boys of Alabama, Mavis Staples, Sleater-Kinney, Judith Owen featuring
Harry Shearer (?!), Robyn Hitchcock, Jimmy Elledge, Floyd Domino, Raul Malo,
Shooter Jennings, Roy Head (doing Just One More Time!), Buddy Miller,
Marty Stuart, James Talley, Dash Rip Rock, Daniel Johnston, The Rolling Blackouts,
Yuppie Pricks, Selfish Cunt, the Bloody Hollies, Holy Fuck, not to mention the
panel with a newly healthy and levelheaded Roky Erickson and the entire 13th
Floor Elevators, the Faces panel with Ian McLagan, Robert Plants speech
-- these are just SOME of the things I missed at this years glorious South
By Southwest in heavenly Austin, Texas
Tuesday, March 15th
This year SXSW was a series of ups and downs for me.
My flight to Dallas/Ft. Worth was up, bec on the crowded plane nobody sat next
to me. The flight from D/FW to Austin was down bec I had a huge guy next to me
spilling into my space.
Then came bag pickup in Austin. I spied publicist Cary Baker at the bag carousel.
He was easy to spot bec he was twitching maniacally. Where are the BAGS? he
half-screamed. I asked if he could give me a lift to the Convention Center. He
said OK with no enthusiasm: for one I was leaning on him, for another ten more
seconds passed without bags. Then ten came: then the carousel stopped.
This is it! Im going to find the manager. People were still
filing in from our plane as he dashed off with fire in his eyes. The carousel
resumed in his absence and when he got back as luck, not mine, would have it,
his was the first. He grabbed it and stood impatiently behind me.
Every second was an hour as I felt his eyes burn into my back. I could feel he
was having a Larry David Moment: having consented to give me a ride, he was now
ready to go but kinda sorta felt morally obligated to wait for me. Seconds more
passed, perhaps a minute, and, unable to stand it any longer, I said If
you go up to Avis Ill be right there when my bag comes.
Ill wait a reasonable time he said ominously, and dashed off
with the speed of Mercury (which Avis doesnt rent).
As he disappeared I realized we hadnt exchanged cell phone numbers. When
two people make a plan as vague as ours they must have means to reach one another.
But he was gone. It probably took five minutes for my bag to come. I dragged
it up the stairs -- it had rollers, but no leash, so I had to stoop, with my
two carry-ons weighing down my shoulders, like Quasimodo -- and walked across
the drive through the wind and rain to the Avis stand. Oh Mister Baker
just left they told me. I struggled back down and caught a cab.
I cannot blame Cary for running off without me: he cant help being who
he is. I can only blame myself for not insisting we exchange numbers.
After all, Im in communications.
I went to the cab stand. The first cabbie was an Indo-Pak guy with a mustache,
around 40. How much to go downtown? I asked. He grabbed my bag. Nineteen
or twenty he said, or you can take a bus for 50 cents. Whoa, I
said, halting him. In a kindly tone, so he could make amends, I said gently Why
did you tell me how much a bus costs? I didnt complain about the price. If
you want to save money, you can take a bus he said, in character. Go
to hell I said, in character, and went to the next cab. He was a nice guy,
from Ethiopia.
That was two bads (Im dropping this motif soon) (not to mention the notion
of a bad as a noun -- when someone says My bad dont
you want to say Goo goo, poo poo to them?) but my visit to the Convention
Center was bad/very good. I went into the rest room to change clothes. I came
back out with my three bags and looked for my cell phone. No dice. I asked the
girl next to me to call me, since my phone was set on loud and would surely make
itself known in my luggage or coat. She called; no sound. I wondered if Id
left it in the cab. I dashed into the bathroom, but it wasnt there. Then
I noticed an Information booth. I asked if anyone had turned in a cell phone.
She showed me a silver one (mine was silver) but it wasnt it. I was disappointed. Were
you in the bathroom? she asked. I said yep, and she handed me my cell phone
in the white airsickness bag on which I had written notes -- and also in the
bag was a $20 bill Id apparently left with it. What a swell turnaround!
I was in Tuesday, the day before the big crunch, so obtained my badge and bag
by simply walking up to the booth and asking for it. Doing so the very next day
would have been a long, long ordeal which, that day, I spied several times from
the sidelines.
My host Kent Benjamin came, we went to Cheapo, where I ran into Billy Davis,
head of the Blasters fan club. At 6:00 we went to the Texas Chili Parlor, my
traditional first stop, and met Steve Allen (of 20/20, L.A., now a Nashville
musician/songwriter) and his Nashville friend Mike Webb, and were then joined
by Dwight Twilley and his wife Jan, in from Tulsa. At 8:30 we all convened at
the home of Ron Flynt, ex 20/20 now of Austin, for Twilley to practice with them
for shows by both Dwight and Ron.
Wensday
Hooked up, in the pre-current sense, with Suzanne Sherwin, an L.A. musician
who lived in Nashville for 10 years musicking and is now (for 6 weeks) an Austinite.
We went to Hills Cafe on south Congress and chowed: best thing about the
breakfast was the swell decor. Then I went to the Convention Center to circulate.
Saw many familiar faces, including the wonderful Elizabeth Derzcos. I parked
from habit at the Red River open lot/mudhole for $7 and then remembered that
SXSW had shifted diagonally to the other side of the convention center, necessitating
a nice (indoor -- it was cold and windy) walk past the old sites and began an
hour of being a pinball, caroming off of whoever I ran into. Got a in-house call
from Margaux, a Belgian-now-English rock-singer I knew from L.A. We went to Threadgills
on Riverside and after lunch I returned to work the convention center,
geting a street parking space with a meter which turned to Fail upon
the insertion of my third quarter.
Returned to Threadgills at 6 to see the Hacienda Brothers. By me, this is a supergroup,
led by the great Chris Gaffney and his equal, Dave Gonzales of the Paladins.
Chris led off with Lifes Ups & Downs, the Charlie Rich
song . It only could have been better if the temperature was 20 degrees warmer.
(Smart people were huddled around an open-pit fire.) There was a publicist-sponsored
party in a back room which I inadvertently crashed seeking Kent. Didnt
find him, but saw a table of grey-hairs and settled for Ed Ward (a no-hair) and
some others. Soon Billy Altman arrived fresh off the plane from New York. They
all ate while I kept food at bay -- I wasnt invited to this soiree after
all -- and afterwards Kent and me took Altman to his hotel, stopping first to
squeeze the Twilleys, again, into Kents car for a 9:00 showcase. We went
to the Cedar Street Courtyard to see Susan Cowsill, Dwight twilleys ex1,
do a marvelous set; she is powerful, she is great. We then went to see Ian Mclagan
at midnight at the Saxon.
Thursday
Had breakfast at Maudies with Kent. He took me to Enterprise on Lamar where
I obtained a car. Went to the Convention Center. Got the SAME parking space with
the broken meter. Went to the Trade Show. This assemblage of business booths
was central to the convention when it was centrally located, but now could be
missed. Inside, the concert stage was in a distant corner. While this may alleviate
noise-intrusion into the merchants booths, it also deadened the air, making
the room oddly quiet, and relegating the few, pathetic (situation) performers
on the former pivotal concert stage to play, every time I checked, to a near-empty
room. Went to the airport to pick up some french friends coming for the fete.
Went to Threadgills at 6 to see Chip Taylor and Carrie Rodriguez, but their set
was hindered by the rock band on the patio at Bennigans across the street,
whose thundering bass (and lack of a sound-absorbing audience) shook the street
for blocks and ruined some of the Chip & Carries quieter songs. Ran
into Mark Leviton from L.A., and his fr Soleil.
Weather better than Wensday, I went to 6th Street and dipped into a couple of
clubs, then to the Continental Club for the YepRoc show featuring C.C. Adcock.
There I called James Trussart, the french guitar maker, who said he was standing
in front of the Continental. I walked out front, no James, and called back: hed
asked someone for the Continental on Congress and they sent him to the Continental
Hotel at 7th & Congress. So much for the total penetration of SXSW on the
towns consciousness! He came to the Continental Club, we saw the Chatham
County Line bluegrass group (in my mind harking back not to the bluegrass players
of the 30s but the bluegrass college kids of the late 1950s), then down to 6th,
then to the Tamboleo Club, far off the path on Bowie Street, to see Dead Sexy,
the french cabaret-rock group: pretty great.
Friday
At 11 a.m. I went to the BMI breakfast on the lawn in back of the Four Seasons.
My invitor, Charlie Feldman, told me to use his name if I had any trouble getting
in, but no one was checking names so I waltzed right in. Food was excellent.
A few acoustic-driven bands had the unenviable task of entertaining the audience
of business-people. Then took a french friend to Kerbey Lane on Lamar, which
I thought was Maudies. (Went in without looking at the sign. Did however
notice the sign warning that you could not bring an UNREGISTERED gun into the
restaurant.) Had an enormous blueberry cobbler. We went to convention center
and popped into the Brian Wilson panel, then to the Australia Rocks!, or something
like that, tent across the street. The weather had warmed but it was still windy.
Then went to my appointment at an adjacent tent shared by Iris Distributing,
where I saw one of their (distributed) bands and met Bryn Boughton, head of Iris.
Then, heading back home, I passed Marias Tacos on Lamar, and got a great
parking spot right in front. There was a makeshift stage between Marias
and the cowboy boot place, on which sang troubadour Steve Easton. He was great,
and I waited a while then saw Michelle Shocked. (Like last year, she still talks
as much as sings. Is this country-rap?) From there I ran down to Congress to
look at cowboy boots at Allens Boots, then came back and talked to John
Doe backstage before his show. (I caught only the final song of Soda and the
Million Man Band, a GREAT act.) Watched John Doe, then went home to rest.
At 10 I went to the Elysium to see Wreckless Eric. My god, what a great performer,
alone with his electric guitar. Brilliant, far outshining his Stiff album of
the late 70s, which was pretty great. I had seen him by accident at the 1992
SXSW and was knocked out. He was tremendous, very dramatic, reminding me, at
times, of The Sensational Alex Harvey. Then out to Opal Divines on west
6th to see Two Hoots and A Holler, my longtime Austin faves. Had to eat first
at Katzs Deli, which offered free parking (and subsequent club-roaming)
if you eat there (and then put the receipt on the cars dash2).
Caught the last few songs of Two Hoots and they were fantastic, a great reassurance
for me: the recent times Id seen them at Egos, the low-ceilinged
smoky local club, theyd seemed to be playing routinely, but this night
they were stars -- what a version of the Phantoms Love Me! -
topped by singer Ricky Broussard smashing his guitar to pieces.3 Then
I saw the Bastard Sons Of Johnny Cash from Carlsbad, CA, but didnt stay
for Burrito Deluxe, my main motivation being to talk to Garth Hudson, a long
lost acquaintance, after learning he left the band. Walked across the street
to Mother Egans and caught the end of Bruce Robisons set.
Saturday
Breakfast at the Magnolia Cafe on Congress. Magnolias waiting-list announcement
is broadcast into the gift shop next door (do they own it?). Then off to glamorous
Cornell Hurds show, a wonderful, reliably great non-SXSW thing at the Texicali
on Oltorf. However, the sun was unusually piercing, at only 80 degrees or so,
and we headed for shelter, still listening to the wonderful country-swing etc.
sounds, including a rockin stint by Bill Kirchen (ex-Commander Cody) and
Marti Brom. Drove around 4:00 in incredibly hard rain (like a bucket upturned
by god, the hardest Ive ever experienced) over to check on Kent at the
Dog & Duck, where the Pop Culture Press expo was on. They had
moved everything to high ground when the rain hit, but just as decisively it
disappeared and the music continued.
That night I saw Harvey Sid Fishers solo gig at the Chuggin Monkey
on 6th, a Busmans Holiday for me. He has some incredible new songs. He
invited people onstage to sing background chirps, but one of them, a total stranger
to Harvey, sang the songs along with him, word for word. At 11 I caught Black
Tie Dynasty, a band that sounds like the Cure 4,
at Habana Calle 65.At
midnight I caught part of Dwight Twilleys well-attended show at the Vibe,
then ran into Rosie Flores on the street and she suggested I go see Bobby Bare
Jr. at the Parish, which I did. From there I bounced back to Habana and saw Ron
Flynts band, doing his wonderful Austin/Southern California rock.
Sunday
Went to get some gifts on South Congress, and also out to Out Of The Past on
north Burnet, and the toy store on Guadalupe near Antones Records. Went
out to the SXSW picnic hoo-ha around noon and stayed til the Twilleys called
Kent needing a ride to the airport. Where I also went.
1 The Twilley/Cowsill Saga, or Attention
Pete Frame!
(from Kent Benjamin):
Jan Allison and Susan Cowsill were childhood pals in a Hollywood
young actors/arts school.
Circa '78 Susan and her bro John Cowsill replaced Phil Seymour as
Twilley's drummer/backing singer. John stayed a couple of years, but
Susan and Dwight stayed together a bit over 10 years.
John Cowsill married Jan Allison, who became Jan Cowsill.
After Dwight and Susan split circa '90, Susan and Vicki Peterson
(Bangles) became best friends and formed the Pyscho Sisters. The Psycho
Sisters started singing on the Continental Drifters records. Susan and
(Continental Drifter) Peter Holsapple (div. from Ilene Markell) started dating
and got married circa '94 and moved to New Orleans. Vicki followed as she was
dating the C-Drifters' bassist. They joined the band.
Dwight got married to Jan Cowsill and they moved to Tulsa circa '94.
Russ Broussard replaced the original Drifters drummer.
Peter and Susan had a child but got divorced.
Susan and Russ Broussard fell in love and got married. Susan and Russ quit the
Drifters, which kinda broke up the band.
Vicki moved back to LA when the Bangles reformed. Fell in love with and
married John Cowsill.
2 Damn new cars have dashboards that slope
every which way but flat, making this difficult.
3 I asked Two Hoots bass player Vic Gerard
if the guitar-smashing was something new and he said Ricky did it every couple
of years now but in the late 80s we used to buy old Silvertones for 20
bucks and smash one every show. Tears came to both our eyes over the loss.
4 How, you ask, would I know if someone sounded
like the Cure? I asked Arthur-Who-Looks-Like-Robert-Plant, a friend of a friend.
5 Che Guevara is on the restaurants
logo. Is that altogether right? Does everyone dig Che, all Cubans I mean? Hes
got a great face, beard, beret, which ranks him with James Dean, Chet Baker,
and other facial icons, but isnt it risky putting his puss on your menu?
Not everyone Vivas La Revolucion. Like when a restaurant on Melrose here
called itself La Cosa Nostra or something like that. This couldnt
be run by Italians, I thought, because they would be sensitive about
associating with the shameful crime organization. Of course, I was a amused
in L.A. in 1987 when a coffeehouse named Gorkys opened up. The place was
decorated entirely in Soviet communist decor. What was great was the tongue in
cheek: it was saying that communism is so long-lost a threat that we can mock
it openly. Even nostalgically.

AF - Harvey Sid Fisher - Vic Gerard (Two Hoots @ Opal Devine's) [Photo:
S, Hernandez]

Steve Easton @ Sin City

Fasionistas @ Stubbs

Ian McLagan outside Saxon Pub

Paul Body at Al Kooper's Rainbow
Grill party, January, 2005
(I saw neither of them at SXSW)
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